[MPlayer-translations] r21432 - trunk/DOCS/man/ru/mplayer.1
voroshil
subversion at mplayerhq.hu
Sat Dec 2 08:56:10 CET 2006
Author: voroshil
Date: Sat Dec 2 08:56:05 2006
New Revision: 21432
Modified:
trunk/DOCS/man/ru/mplayer.1
Log:
Translated section "AUDIO FILTERS"
Modified: trunk/DOCS/man/ru/mplayer.1
==============================================================================
--- trunk/DOCS/man/ru/mplayer.1 (original)
+++ trunk/DOCS/man/ru/mplayer.1 Sat Dec 2 08:56:05 2006
@@ -4351,139 +4351,144 @@
.
.
.
-.SH "AUDIO FILTERS"
-Audio filters allow you to modify the audio stream and its properties.
-The syntax is:
+.SH "áõäéï æéìøôòù"
+áÕÄÉÏ ÆÉÌØÔÒÙ ÐÏÚ×ÏÌÑÀÔ ÍÅÎÑÔØ ÁÕÄÉÏ ÐÏÔÏË É ÅÇÏ Ó×ÏÊÓÔ×Á.
+óÉÎÔÁËÓÉÓ ÔÁËÏÊ:
.
.TP
-.B \-af <filter1[=parameter1:parameter2:...],filter2,...>
-Setup a chain of audio filters.
+.B \-af <ÆÉÌØÔÒ1[=ÐÁÒÁÍÅÔÒ1:ÐÁÒÁÍÅÔÒ2:...],ÆÉÌØÔÒ2,...>
+õÓÔÁÎÁ×ÌÉ×ÁÅÔ ÃÅÐÏÞËÕ ÁÕÄÉÏ ÆÉÌØÔÒÏ×.
.PP
-.I NOTE:
-To get a full list of available audio filters, see \-af help.
+.I úáíåþáîéå:
+ðÏÌÎÙÊ ÓÐÉÓÏË ÄÏÓÔÕÐÎÙÈ ÁÕÄÉÏ ÆÉÌØÔÒÏ× ÍÏÖÎÏ ÐÏÌÕÞÉÔØ ÐÒÉ ÐÏÍÏÝÉ \-af help.
.PP
-Available filters are:
+äÏÓÔÕÐÎÙÅ ÆÉÌØÔÒÙ:
.
.TP
.B resample[=srate[:sloppy[:type]]]
-Changes the sample rate of the audio stream.
-Can be used if you have a fixed frequency sound card or if you are
-stuck with an old sound card that is only capable of max 44.1kHz.
-This filter is automatically enabled if necessary.
-It only supports 16-bit integer and float in native-endian format as input.
+íÅÎÑÅÔ ÞÁÓÔÏÔÕ ÄÉÓËÒÅÔÉÚÁÃÉÉ ÁÕÄÉÏ ÐÏÔÏËÁ.
+íÏÖÅÔ ÉÓÐÏÌØÚÏ×ÁÔØÓÑ ÐÒÉ ÎÁÌÉÞÉÉ Ú×ÕËÏ×ÏÊ ËÁÒÔÙ Ó ÆÉËÓÉÒÏ×ÁÎÎÏÊ ÞÁÓÔÏÔÏÊ
+ÉÌÉ ÅÓÌÉ ×Ù ÐÒÉ×ÑÚÁÎÙ Ë ÓÔÁÒÏÊ ËÁÒÔÅ, ÐÏÄÄÅÒÖÉ×ÁÀÝÅÊ ÍÁËÓÉÍÁÌØÎÏ 44.1kçÃ.
+÷ ÓÌÕÞÁÅ ÎÅÏÂÈÏÄÉÍÏÓÔÉ ÆÉÌØÔÒ ×ËÌÀÞÁÅÔÓÑ Á×ÔÏÍÁÔÉÞÅÓËÉ.
+ïÎ ÐÏÄÄÅÒÖÉ×ÁÅÔ ÔÏÌØËÏ ÆÏÒÍÁÔ 16-ÂÉÔ integer É float Ó "ÒÏÄÎÙÍ" [native-endian] ÐÏÒÑÄËÏÍ ÂÁÊÔ
+× ËÁÞÅÓÔ×Å ×ÈÏÄÎÙÈ ÄÁÎÎÙÈ.
.br
-.I NOTE:
-With MEncoder, you need to also use \-srate <srate>.
+.I úáíåþáîéå:
+ó MEncoder, ×ÁÍ ÔÒÅÂÕÅÔÓÑ ÔÁËÖÅ ÉÓÐÏÌØÚÏ×ÁÔØ \-srate <srate>.
.PD 0
.RSs
.IPs <srate>
-output sample frequency in Hz.
-The valid range for this parameter is 8000 to 192000.
-If the input and output sample frequency are the same or if this
-parameter is omitted the filter is automatically unloaded.
-A high sample frequency normally improves the audio quality,
-especially when used in combination with other filters.
+þÁÓÔÏÔÁ ÄÉÓËÒÅÔÉÚÁÃÉÉ ÎÁ ×ÙÈÏÄÅ × çÃ.
+äÏÐÕÓÔÉÍÙ ÚÎÁÞÅÎÉÑ ÏÔ 8000 ÄÏ 192000.
+åÓÌÉ ÞÁÓÔÏÔÙ ÄÉÓËÒÅÔÉÚÁÃÉÉ ÄÁÎÎÙÈ ÎÁ ×ÈÏÄÅ É ×ÙÈÏÄÅ ÓÏ×ÐÁÄÁÀÔ,
+ÉÌÉ ÜÔÏÔ ÐÁÒÁÍÅÔÒ ÏÐÕÝÅÎ, ÆÉÌØÔÒ Á×ÔÏÍÁÔÉÞÅÓËÉ ×ÙÇÒÕÖÁÅÔÓÑ.
+÷ÙÓÏËÁÑ ÞÁÓÔÏÔÁ ÏÂÙÞÎÏ ÕÌÕÞÛÁÅÔ ËÁÞÅÓÔ×Ï Ú×ÕËÁ, ÏÓÏÂÅÎÎÏ
+ÐÒÉ ÉÓÐÏÌØÚÏ×ÁÎÉÉ × ËÏÍÂÉÎÁÃÉÉ Ó ÄÒÕÇÉÍÉ ÆÉÌØÔÒÁÍÉ.
.IPs <sloppy>
-Allow (1) or disallow (0) the output frequency to differ slightly
-from the frequency given by <srate> (default: 1).
-Can be used if the startup of the playback is extremely slow.
+òÁÚÒÅÛÁÅÔ (1) ÉÌÉ ÚÁÐÒÅÝÁÅÔ (0) ÞÁÓÔÏÔÅ ÄÉÓËÒÅÔÉÚÁÃÉÉ ÎÁ ×ÙÈÏÄÅ
+ÓÌÅÇËÁ ÏÔÌÉÞÁÔØÓÑ ÏÔ ÕËÁÚÁÎÎÏÇÏ ÚÎÁÞÅÎÉÑ <srate> (ÐÏ-ÕÍÏÌÞÁÎÉÀ: 1).
+íÏÖÅÔ ÉÓÐÏÌØÚÏ×ÁÔØÓÑ, ÅÓÌÉ ×ÏÓÐÒÏÉÚ×ÅÄÅÎÉÅ ÚÁÐÕÓËÁÅÔÓÑ ÞÒÅÚ×ÙÞÁÊÎÏ ÍÅÄÌÅÎÎÏ.
.IPs <type>
-Selects which resampling method to use.
+õËÁÚÙ×ÁÅÔ ÉÓÐÏÌØÚÕÅÍÙÊ ÍÅÔÏÄ ÉÚÍÅÎÅÎÉÑ ÞÁÓÔÏÔÙ.
.RSss
-0: linear interpolation (fast, poor quality especially when upsampling)
+0: ÌÉÎÅÊÎÁÑ ÉÎÔÅÒÐÏÌÑÃÉÑ (ÂÙÓÔÒÙÊ, ÐÌÏÈÏÅ ËÁÞÅÓÔ×Ï, ÏÓÏÂÅÎÎÏ ÐÒÉ Õ×ÅÌÉÞÅÎÉÉ ÞÁÓÔÏÔÙ)
.br
-1: polyphase filterbank and integer processing
+1: ÍÎÏÇÏÆÁÚÎÙÊ ÎÁÂÏÒ ÆÉÌØÔÒÏ×[polyphase filterbank] É ÃÅÌÏÞÉÓÌÅÎÎÁÑ ÏÂÒÁÂÏÔËÁ
.br
-2: polyphase filterbank and floating point processing (slow, best quality)
+2: ÍÎÏÇÏÆÁÚÎÙÊ ÎÁÂÏÒ ÆÉÌØÔÒÏ×[polyphase filterbank] É ×ÅÝÅÓÔ×ÅÎÎÁÑ ÏÂÒÁÂÏÔËÁ (ÍÅÄÌÅÎÎÙÊ,
+ÎÁÉÌÕÞÛÅÅ ËÁÞÅÓÔ×Ï)
.REss
.PD 1
.RE
.sp 1
.RS
-.I EXAMPLE:
+.I ðòéíåò:
.RE
.PD 0
.RSs
.IPs "mplayer \-af resample=44100:0:0"
-would set the output frequency of the resample filter to 44100Hz using
-exact output frequency scaling and linear interpolation.
+ÕÓÔÁÎÏ×ÉÔ ×ÙÈÏÄÎÕÀ ÞÁÓÔÏÔÕ ÆÉÌØÔÒÁ resample × 44100çÃ, ÉÓÐÏÌØÚÕÑ
+ÔÏÞÎÏÅ ÓÏ×ÐÁÄÅÎÉÅ ×ÙÈÏÄÎÏÊ ÞÁÓÔÏÔÙ É ÌÉÎÅÊÎÕÀ ÉÎÔÅÒÐÏÌÑÃÉÀ.
.RE
.PD 1
.
.TP
.B lavcresample[=srate[:length[:linear[:count[:cutoff]]]]]
-Changes the sample rate of the audio stream to an integer <srate> in Hz.
-It only supports the 16-bit native-endian format.
+.\" FIXME poor translation of entire block (with parameters)
+õÓÔÁÎÁ×ÌÉ×ÁÅÔ ÞÁÓÔÏÔÕ ÄÉÓËÒÅÔÉÚÁÃÉÉ ÁÕÄÉÏ ÐÏÔÏËÁ × <srate>, ÕËÁÚÁÎÎÕÀ × çÃ.
+ïÎ ÐÏÄÄÅÒÖÉ×ÁÅÔ ÔÏÌØËÏ ÆÏÒÍÁÔ 16-ÂÉÔ Ó "ÒÏÄÎÙÍ" [native-endian] ÐÏÒÑÄËÏÍ ÂÁÊÔ.
.br
-.I NOTE:
-With MEncoder, you need to also use \-srate <srate>.
+.I úáíåþáîéå:
+ó MEncoder, ×ÁÍ ÎÅÏÂÈÏÄÉÍÏ ÔÁËÖÅ ÉÓÐÏÌØÚÏ×ÁÔØ -srate <srate>.
.PD 0
.RSs
.IPs <srate>
-the output sample rate
+×ÙÈÏÄÎÁÑ ÞÁÓÔÏÔÁ ÄÉÓËÒÅÔÉÚÁÃÉÉ
.IPs <length>
-length of the filter with respect to the lower sampling rate (default: 16)
+ÄÌÉÎÁ ÆÉÌØÔÒÁ ÏÔÎÏÓÉÔÅÌØÎÏ ÍÅÎØÛÅÊ ÞÁÓÔÏÔÙ ÄÉÓËÒÅÔÉÚÁÃÉÉ (ÐÏ-ÕÍÏÌÞÁÎÉÀ: 16)
.IPs <linear>
-if 1 then filters will be linearly interpolated between polyphase entries
+ÅÓÌÉ 1, ÔÏ ÆÉÌØÔÒÙ ÂÕÄÕÔ ÌÉÎÅÊÎÏ ÉÎÔÅÒÐÏÌÉÒÏ×ÁÎÙ ÍÅÖÄÕ ÍÎÏÇÏÆÁÚÎÙÍÉ ÜÌÅÍÅÎÔÁÍÉ
.IPs <count>
-log2 of the number of polyphase entries
+log2 ÏÔ ËÏÌÉÞÅÓÔ×Á ÍÎÏÇÏÆÁÚÎÙÈ ÜÌÅÍÅÎÔÏ×
(..., 10->1024, 11->2048, 12->4096, ...)
-(default: 10->1024)
+(ÐÏ-ÕÍÏÌÞÁÎÉÀ: 10->1024)
.IPs <cutoff>
-cutoff frequency (0.0-1.0), default set depending upon filter length
+ÇÒÁÎÉÞÎÁÑ ÞÁÓÔÏÔÁ (0.0-1.0), ÐÏ-ÕÍÏÌÞÁÎÉÀ ÕÓÔÁÎÁ×ÌÉ×ÁÅÔÓÑ × ÚÁ×ÉÓÉÍÏÓÔÉ ÏÔ ÄÌÉÎÙ ÆÉÌØÔÒÁ
.RE
.PD 1
.
.TP
-.B sweep[=speed]
-Produces a sine sweep.
+.B sweep[=ÓËÏÒÏÓÔØ]
+ðÒÏÉÚ×ÏÄÉÔ ÓÉÎÕÓÏÉÄÁÌØÎÙÊ ÓÉÇÎÁÌ.
.PD 0
.RSs
.IPs <0.0\-1.0>
-Sine function delta, use very low values to hear the sweep.
+äÅÌØÔÁ ÓÉÎÕÓÁ, ÉÓÐÏÌØÚÕÊÔÅ ÏÞÅÎØ ÍÁÌÅÎØËÉÅ ÚÎÁÞÅÎÉÑ, ÞÔÏÂÙ ÕÓÌÙÛÁÔØ ÒÅÚÕÌØÔÁÔ.
.RE
.PD 1
.
.TP
.B sinesuppress[=freq:decay]
-Remove a sine at the specified frequency.
-Useful to get rid of the 50/60Hz noise on low quality audio equipment.
-It probably only works on mono input.
+õÄÁÌÑÅÔ ÓÉÎÕÓÏÉÄÕ ÕËÁÚÁÎÎÏÊ ÞÁÓÔÏÔÙ.
+ðÏÌÅÚÅÎ ÄÌÑ ÕÄÁÌÅÎÉÑ 50/60çà ÛÕÍÁ ÎÁ ÎÉÚËÏËÁÞÅÓÔ×ÅÎÎÏÍ Ú×ÕËÏ×ÏÍ ÏÂÏÒÏÄÏ×ÁÎÉÉ.
+ïÎ, ×ÏÚÍÏÖÎÏ, ÒÁÂÏÔÁÅÔ ÔÏÌØËÏ Ó ÍÏÎÏ.
.PD 0
.RSs
.IPs <freq>
-The frequency of the sine which should be removed (in Hz) (default: 50)
+þÁÓÔÏÔÁ ÓÉÎÕÓÏÉÄÙ (× çÃ), ËÏÔÏÒÕÀ ÓÌÅÄÕÅÔ ÕÄÁÌÉÔØ (ÐÏ-ÕÍÏÌÞÁÎÉÀ: 50)
.IPs <decay>
-Controls the adaptivity (a larger value will make the filter adapt to
-amplitude and phase changes quicker, a smaller value will make the
-adaptation slower) (default: 0.0001).
-Reasonable values are around 0.001.
+õÐÒÁ×ÌÑÅÔ ÇÉÂËÏÓÔØÀ (ÂÏÌØÛÅÅ ÚÎÁÞÅÎÉÅ ÐÏÚ×ÏÌÉÔ ÆÉÌØÔÒÕ ÂÙÓÔÒÅÅ ÁÄÁÐÔÉÒÏ×ÁÔØÓÑ Ë
+ÉÚÍÅÎÅÎÉÀ ÁÍÐÌÉÔÕÄÙ É ÆÁÚÙ, ÍÅÎØÛÅÅ ÚÎÁÞÅÎÉÅ ÓÄÅÌÁÅÔ ÁÄÁÐÔÁÃÉÀ ÂÏÌÅÅ
+ÍÅÄÌÅÎÎÏÊ) (ÐÏ-ÕÍÏÌÞÁÎÉÀ: 0.0001).
+òÁÚÕÍÎÙ ÚÎÁÞÅÎÉÑ × ÒÁÊÏÎÅ 0.001.
.RE
.PD 1
.
.TP
-.B hrtf[=flag]
-Head-related transfer function: Converts multichannel audio to
-2 channel output for headphones, preserving the spatiality of the sound.
+.B hrtf[=ÆÌÁÇ]
+æÕÎËÃÉÑ ÐÒÅÏÂÒÁÚÏ×ÁÎÉÑ ÄÌÑ ÎÁÕÛÎÉËÏ×: ðÒÅÏÂÒÁÚÕÅÔ ÍÎÏÇÏËÁÎÁÌØÎÙÊ Ú×ÕË × 2 ËÁÎÁÌØÎÙÊ
+×Ù×ÏÄ ÄÌÑ ÎÁÕÛÎÉËÏ×, ÓÏÈÒÁÎÑÑ ÐÒÏÓÔÒÁÎÓÔ×ÅÎÎÏÓÔØ Ú×ÕËÁ.
.sp 1
.PD 0
.RS
-.IPs "Flag Meaning"
-.IPs "m matrix decoding of the rear channel"
-.IPs "s 2-channel matrix decoding"
-.IPs "0 no matrix decoding (default)"
+.\" FIXME matrix decoding = ÍÁÔÒÉÞÎÏÅ ÄÅËÏÄÉÒÏ×ÁÎÉÅ
+.IPs "æÌÁÇ úÎÁÞÅÎÉÅ"
+.IPs "m ÍÁÔÒÉÞÎÏÅ ÄÅËÏÄÉÒÏ×ÁÎÉÑ ÐÅÒÅÄÎÅÇÏ ËÁÎÁÌÁ"
+.IPs "s 2-ËÁÎÁÌØÎÏÅ ÍÁÔÒÉÞÎÏÅ ÄÅËÏÄÉÒÏ×ÁÎÉÅ"
+.IPs "0 ÄÅËÏÄÉÒÏ×ÁÎÉÅ ÂÅÚ ÍÁÔÒÉà (ÐÏ-ÕÍÏÌÞÁÎÉÀ)"
.RE
.PD 1
.
.TP
.B equalizer=[g1:g2:g3:...:g10]
-10 octave band graphic equalizer, implemented using 10 IIR band pass filters.
-This means that it works regardless of what type of audio is being played back.
-The center frequencies for the 10 bands are:
+.\" FIXME is translation correct? "10 IIR band pass filters"
+10 ÐÏÌÏÓÎÙÊ ÇÒÁÆÉÞÅÓËÉÊ ÜË×ÁÌÁÊÚÅÒ, ÒÅÁÌÉÚÏ×ÁÎÎÙÊ ÐÒÉ ÐÏÍÏÝÉ 10 IIR ÆÉÌØÔÒÏ× ÐÒÏÐÕÓËÁÎÉÑ ÐÏÌÏÓÙ.
+üÔÏ ÚÎÁÞÉÔ, ÞÔÏ ÏÎ ÒÁÂÏÔÁÅÔ ÎÅÚÁ×ÉÓÉÍÏ ÏÔ ÔÉÐÁ ×ÏÓÐÒÏÉÚ×ÏÄÉÍÏÇÏ Ú×ÕËÁ.
+ãÅÎÔÒÁÌØÎÙÅ ÞÁÓÔÏÔÙ 10 ÐÏÌÏÓ:
.sp 1
.PD 0
.RS
-.IPs "No. frequency"
+.IPs "îÏÍ. ÞÁÓÔÏÔÁ"
.IPs "0 31.25 Hz"
.IPs "1 62.50 Hz"
.IPs "2 125.00 Hz"
@@ -4498,396 +4503,402 @@
.PD 1
.sp 1
.RS
-If the sample rate of the sound being played is lower than the center
-frequency for a frequency band, then that band will be disabled.
-A known bug with this filter is that the characteristics for the
-uppermost band are not completely symmetric if the sample
-rate is close to the center frequency of that band.
-This problem can be worked around by upsampling the sound
-using the resample filter before it reaches this filter.
+åÓÌÉ ÞÁÓÔÏÔÁ ÄÉÓËÒÅÔÉÚÁÃÉÉ ×ÏÓÐÒÏÉÚ×ÏÄÉÍÏÇÏ Ú×ÕËÁ ÎÉÖÅ ÃÅÎÔÒÁÌØÎÏÊ ÞÁÓÔÏÔÙ
+ÐÏÌÏÓÙ, ÔÏ ÜÔÁ ÐÏÌÏÓÁ ÂÕÄÅÔ ÏÔËÌÀÞÅÎÁ.
+éÚ×ÅÓÔÎÙÊ ÂÁÇ ÜÔÏÇÏ ÆÉÌØÔÒÁ ÓÏÓÔÏÉÔ × ÔÏÍ, ÞÔÏ ÈÁÒÁËÔÅÒÉÓÔÉËÉ ÄÌÑ
+ÓÁÍÏÊ ×ÅÒÈÎÅÊ ÐÏÌÏÓÙ ÎÅ ÐÏÌÎÏÓÔØÀ ÓÉÍÍÅÔÒÉÞÎÙ, ÅÓÌÉ ÞÁÓÔÏÔÁ
+ÄÉÓËÒÅÔÉÚÁÃÉÉ ÂÌÉÚËÁ Ë ÃÅÎÔÒÁÌØÎÏÊ ÞÁÓÔÏÔÅ ÜÔÏÊ ÐÏÌÏÓÙ.
+ðÒÏÂÌÅÍÕ ÍÏÖÎÏ ÏÂÏÊÔÉ, Õ×ÅÌÉÞÉ× ÞÁÓÔÏÔÕ ÄÉÓËÒÅÔÉÚÁÃÉÉ ÆÉÌØÔÒÏÍ resample
+ÄÏ ÔÏÇÏ, ËÁË Ú×ÕË ÄÏÓÔÉÇÎÅÔ ÜÔÏÇÏ ÆÉÌØÔÒÁ.
.RE
.PD 0
.RSs
.IPs <g1>:<g2>:<g3>:...:<g10>
-floating point numbers representing the gain in dB
-for each frequency band (-12\-12)
+÷ÅÝÅÓÔ×ÅÎÎÙÅ ÞÉÓÌÁ, ÐÒÅÄÓÔÁ×ÌÑÀÝÉÅ ÓÏÂÏÊ ÕÓÉÌÅÎÉÅ × Äâ ÄÌÑ ËÁÖÄÏÊ ÐÏÌÏÓÙ (-12/12)
.RE
.sp 1
.RS
-.I EXAMPLE:
+.I ðòéíåò:
.RE
.RSs
.IPs "mplayer \-af equalizer=11:11:10:5:0:-12:0:5:12:12 media.avi"
-Would amplify the sound in the upper and lower frequency region
-while canceling it almost completely around 1kHz.
+õÓÉÌÉÔ Ú×ÕË × ×ÅÒÈÎÅÍ É ÎÉÖÎÅÍ ÞÁÓÔÏÔÎÏÍ ÄÉÁÐÁÚÏÎÅ, ÐÒÁËÔÉÞÅÓËÉ ÐÏÌÎÏÓÔØÀ
+ÏÔÂÒÁÓÙ×ÁÑ ÅÇÏ × ÒÁÊÏÎÅ 1ËçÃ.
.RE
.PD 1
.
.TP
-.B channels=nch[:nr:from1:to1:from2:to2:from3:to3:...]
-Can be used for adding, removing, routing and copying audio channels.
-If only <nch> is given the default routing is used, it works as
-follows: If the number of output channels is bigger than the number of
-input channels empty channels are inserted (except mixing from mono to
-stereo, then the mono channel is repeated in both of the output
-channels).
-If the number of output channels is smaller than the number
-of input channels the exceeding channels are truncated.
+.B channels=nch[:nr:ÉÚ1:×1:ÉÚ2:×2:ÉÚ3:×3:...]
+íÏÖÅÔ ÉÓÐÏÌØÚÏ×ÁÔØÓÑ ÄÌÑ ÄÏÂÁ×ÌÅÎÉÑ, ÕÄÁÌÅÎÉÑ, ÐÅÒÅÎÁÐÒÁ×ÌÅÎÉÑ É
+ËÏÐÉÒÏ×ÁÎÉÑ ÁÕÄÉÏ ËÁÎÁÌÏ×.
+åÓÌÉ ÕËÁÚÁÎÏ ÔÏÌØËÏ <nch>, ÔÏ ÉÓÐÏÌØÚÕÅÔÓÑ ÐÅÒÅÎÁÐÒÁ×ÌÅÎÉÅ ÐÏ-ÕÍÏÌÞÁÎÉÀ,
+ÒÁÂÏÔÁÀÝÅÅ ÓÌÅÄÕÀÝÉÍ ÏÂÒÁÚÏÍ: åÓÌÉ ×ÙÈÏÄÎÙÈ ËÁÎÁÌÏ× ÂÏÌØÛÅ, ÞÅÍ ×ÈÏÄÎÙÈ,
+ÔÏ ×ÓÔÁ×ÌÑÀÔÓÑ ÐÕÓÔÙÅ ËÁÎÁÌÙ (ÚÁ ÉÓËÌÀÞÅÎÉÅÍ ÓÌÕÞÁÑ ÍÉËÛÉÒÏ×ÁÎÉÑ ÉÚ ÍÏÎÏ × ÓÔÅÒÅÏ,
+× ÜÔÏÍ ÓÌÕÞÁÅ ÍÏÎÏ ËÁÎÁÌ ÄÕÂÌÉÒÕÅÔÓÑ ÎÁ ÏÂÁ ×ÙÈÏÄÎÙÈ ËÁÎÁÌÁ).
+åÓÌÉ ËÏÌÉÞÅÓÔ×Ï ×ÙÈÏÄÎÙÈ ËÁÎÁÌÏ× ÍÅÎØÛÅ ËÏÌÉÞÅÓÔ×Á ×ÈÏÄÎÙÈ, ÔÏ
+ÌÉÛÎÉÅ ËÁÎÁÌÙ ÏÔÓÅËÁÀÔÓÑ.
.PD 0
.RSs
.IPs <nch>
-number of output channels (1\-6)
+ËÏÌÉÞÅÓÔ×Ï ËÁÎÁÌÏ× ÎÁ ×ÙÈÏÄÅ (1\-6)
.IPs "<nr>\ "
-number of routes (1\-6)
+ËÏÌÉÞÅÓÔ×Ï ÐÅÒÅÎÁÐÒÁ×ÌÅÎÉÊ (1\-6)
.IPs <from1:to1:from2:to2:from3:to3:...>
-Pairs of numbers between 0 and 5 that define where to route each channel.
+ðÁÒÙ ÞÉÓÅÌ ÏÔ 0 ÄÏ 5, ÏÐÒÅÄÅÌÑÀÝÉÅ ËÕÄÁ ÐÅÒÅÎÁÐÒÁ×ÉÔØ ËÁÖÄÙÊ ËÁÎÁÌ.
.RE
.sp 1
.RS
-.I EXAMPLE:
+.I ðòéíåò:
.RE
.RSs
.IPs "mplayer \-af channels=4:4:0:1:1:0:2:2:3:3 media.avi"
-Would change the number of channels to 4 and set up 4 routes that
-swap channel 0 and channel 1 and leave channel 2 and 3 intact.
-Observe that if media containing two channels was played back, channels
-2 and 3 would contain silence but 0 and 1 would still be swapped.
+õÓÔÁÎÁ×ÌÉ×ÁÅÔ ËÏÌÉÞÅÓÔ×Ï ËÁÎÁÌÏ× ÒÁ×ÎÙÍ 4, É ÎÁÓÔÒÁÉ×ÁÅÔ 4
+ÍÁÒÛÒÕÔÁ, ÍÅÎÑÀÝÉÈ ÍÅÓÔÁÍÉ ËÁÎÁÌÙ 0 É 1, É ÏÓÔÁ×ÌÑÀÝÉÈ ËÁÎÁÌÙ 2 É 3
+ÎÅÉÚÍÅÎÎÙÍÉ.
+úÁÍÅÔØÔÅ, ÞÔÏ ÅÓÌÉ ÍÅÄÉÁ ÓÏÄÅÒÖÉÔ Ä×Á ×ÏÓÐÒÏÉÚ×ÏÄÑÝÉÈÓÑ ËÁÎÁÌÁ, ËÁÎÁÌÙ
+2 É 3 ÂÕÄÕÔ ÓÏÄÅÒÖÁÔØ ÔÉÛÉÎÕ, ÎÏ 1 É 0 ×ÓÅ-ÔÁËÉ ÐÏÍÅÔÑÀÔÓÑ ÍÅÓÔÁÍÉ.
.IPs "mplayer \-af channels=6:4:0:0:0:1:0:2:0:3 media.avi"
-Would change the number of channels to 6 and set up 4 routes
-that copy channel 0 to channels 0 to 3.
-Channel 4 and 5 will contain silence.
+õÓÔÁÎÁ×ÌÉ×ÁÅÔ ËÏÌÉÞÅÓÔ×Ï ËÁÎÁÌÏ× ÒÁ×ÎÙÍ 6, É ÎÁÓÔÒÁÉ×ÁÅÔ 4
+ÍÁÒÛÒÕÔÁ, ËÏÐÉÒÕÀÝÉÈ ËÁÎÁÌ 0 × 0 É 3.
+ëÁÎÁÌÙ 4 É 5 ÂÕÄÕÔ ÓÏÄÅÒÖÁÔØ ÔÉÛÉÎÕ.
.RE
.PD 1
.
.TP
.B format[=format] (also see \-format)
-Convert between different sample formats.
-Automatically enabled when needed by the sound card or another filter.
+ËÏÎ×ÅÒÔÉÒÕÅÔ ÍÅÖÄÕ ÒÁÚÌÉÞÎÙÍÉ ÆÏÒÍÁÔÁÍÙ ÓÜÍÐÌÏ×.
+÷ËÌÀÞÁÅÔÓÑ Á×ÔÏÍÁÔÉÞÅÓËÉ, ËÏÇÄÁ ÜÔÏ ÔÒÅÂÕÅÔÓÑ ÄÌÑ
+Ú×ÕËÏ×ÏÊ ËÁÒÔÙ ÉÌÉ ÄÒÕÇÏÇÏ ÆÉÌØÔÒÁ.
.PD 0
.RSs
.IPs <format>
-Sets the desired format.
-The general form is 'sbe', where 's' denotes the sign (either 's' for signed
-or 'u' for unsigned), 'b' denotes the number of bits per sample (16, 24 or 32)
-and 'e' denotes the endianness ('le' means little-endian, 'be' big-endian
-and 'ne' the endianness of the computer MPlayer is running on).
-Valid values (amongst others) are: 's16le', 'u32be' and 'u24ne'.
-Exceptions to this rule that are also valid format specifiers: u8, s8,
-floatle, floatbe, floatne, mulaw, alaw, mpeg2, ac3 and imaadpcm.
+õÓÔÁÎÁ×ÌÉ×ÁÅÔ ÖÅÌÁÅÍÙÊ ÆÏÒÍÁÔ.
+õËÁÚÙ×ÁÅÔÓÑ × ÆÏÒÍÅ 'sbe', ÇÄÅ 's' ÏÚÎÁÞÁÅÔ ÚÎÁË ('s' ÄÌÑ ÚÎÁËÏ×ÏÇÏ, 'u' \- ÄÌÑ
+ÂÅÚÚÎÁËÏ×ÏÇÏ), 'b' ÏÚÎÁÞÁÅÔ ËÏÌÉÞÅÓÔ×Ï ÂÉÔ ÎÁ ÓÜÍÐÌ (16,24 ÉÌÉ 32) É 'e'
+ÏÚÎÁÞÁÅÔ ÐÏÒÑÄÏË ÂÁÊÔ ('le' little-endian, 'be' big-endian, 'ne' - ÐÏÒÑÄÏË ÂÁÊÔ
+ËÏÍÐØÀÔÅÒÁ, ÎÁ ËÏÔÏÒÏÍ ÚÁÐÕÝÅÎ MPlayer).
+ðÒÁ×ÉÌØÎÙÅ ÚÎÁÞÅÎÉÑ (ÎÅËÏÔÏÒÙÅ ÉÚ ×ÏÚÍÏÖÎÙÈ): 's16le', 'u32be' É 'u24ne'.
+éÓËÌÀÞÅÎÉÑ ÉÚ ÐÒÁ×ÉÌÁ, ÔÁËÖÅ Ñ×ÌÑÀÝÉÅÓÑ ×ÅÒÎÙÍÉ ÉÄÅÎÔÉÆÉËÁÔÏÒÁÍÉ ÆÏÒÍÁÔÁ:
+u8, s8, floatle, floatbe, floatne, mulaw, alaw, mpeg2, ac3 É imaadpcm.
.RE
.PD 1
.
.TP
.B volume[=v[:sc]]
-Implements software volume control.
-Use this filter with caution since it can reduce the signal
-to noise ratio of the sound.
-In most cases it is best to set the level for the PCM sound to max,
-leave this filter out and control the output level to your
-speakers with the master volume control of the mixer.
-In case your sound card has a digital PCM mixer instead of an analog
-one, and you hear distortion, use the MASTER mixer instead.
-If there is an external amplifier connected to the computer (this
-is almost always the case), the noise level can be minimized by
-adjusting the master level and the volume knob on the amplifier
-until the hissing noise in the background is gone.
-.br
-This filter has a second feature: It measures the overall maximum
-sound level and prints out that level when MPlayer exits.
-This volume estimate can be used for setting the sound level in
-MEncoder such that the maximum dynamic range is utilized.
-.br
-.I NOTE:
-This filter is not reentrant and can therefore only be enabled
-once for every audio stream.
+.\" FIXME check translation
+òÅÁÌÉÚÕÅÔ ÐÒÏÇÒÁÍÍÎÏÅ ÕÐÒÁ×ÌÅÎÉÅ ÇÒÏÍËÏÓÔØÀ.
+éÓÐÏÌØÚÕÊÔÅ ÜÔÏÔ ÆÉÌØÔÒ Ó ÏÓÔÏÒÏÖÎÏÓÔØÀ, ÐÏÓËÏÌØËÕ ÏÎ
+ÓÐÏÓÏÂÅÎ ÓÎÉÚÉÔØ ÕÒÏ×ÅÎØ ÓÉÇÎÁÌÁ ÄÏ ÕÒÏ×ÎÑ ÐÒÏÓÔÏÇÏ ÛÕÍÁ.
+÷ ÂÏÌØÛÉÎÓÔ×Å ÓÌÕÞÁÅ× ÌÕÞÛÅ ×ÓÅÇÏ ÕÓÔÁÎÏ×ÉÔØ ÕÒÏ×ÅÎØ PCM Ú×ÕËÁ ÎÁ
+ÍÁËÓÉÍÕÍ, ÏÓÔÁ×ÉÔØ × ÐÏËÏÅ ÜÔÏÔ ÆÉÌØÔÒ É ÕÐÒÁ×ÌÑÔØ ÇÒÏÍËÏÓÔØÀ
+×ÙÈÏÄÑÝÅÇÏ ÎÁ ËÏÌÏÎËÉ ÓÉÇÎÁÌÁ ÐÒÉ ÐÏÍÏÝÉ ÒÅÇÕÌÑÔÏÒÁ ËÁÎÁÌÁ master.
+÷ ÓÌÕÞÁÅ, ËÏÇÄÁ ×ÁÛÁ Ú×ÕËÏ×ÁÑ ËÁÒÔÁ ÉÍÅÅÔ ÃÉÆÒÏ×ÏÊ PCM ÍÉËÛÅÒ ×ÍÅÓÔÏ
+ÁÎÁÌÏÇÏ×ÏÇÏ, É ×Ù ÓÌÉÛÉÔÅ ÉÓËÁÖÅÎÉÅ, ÉÓÐÏÌØÚÕÊÔÅ ×ÍÅÓÔÏ ÎÅÇÏ MASTER ÍÉËÛÅÒ.
+åÓÌÉ Ë ËÏÍÐØÀÔÅÒÕ ÐÏÄËÌÀÞÅÎ ×ÎÅÛÎÉÊ ÕÓÉÌÉÔÅÌØ (ÞÔÏ, ËÁË ÐÒÁ×ÉÌÏ,
+É ÂÙ×ÁÅÔ × ÂÏÌØÛÉÎÓÔ×Å ÓÌÕÞÁÅ×), ÕÒÏ×ÅÎØ ÛÕÍÁ ÍÏÖÎÏ ÍÉÎÉÍÉÚÉÒÏ×ÁÔØ,
+ÒÅÇÕÌÉÒÕÑ ÎÁ ÕÓÉÌÉÔÅÌÅ ÕÒÏ×ÎÉ ÇÒÏÍËÏÓÔÉ É ËÁÎÁÌÁ master,
+ÐÏËÁ ÆÏÎÏ×ÙÊ ÛÕÍ ÐÏÌÎÏÓÔØÀ ÎÅ ÉÓÞÅÚÎÅÔ.
+.br
+üÔÏÔ ÆÉÌØÔÒ ÉÍÅÅÔ ÄÏÐÏÌÎÉÔÅÌØÎÕÀ ×ÏÚÍÏÖÎÏÓÔØ: ïÎ ÉÚÍÅÒÑÅÔ ÍÁËÓÉÍÁÌØÎÙÊ ÕÒÏ×ÅÎØ Ú×ÕËÁ
+É ×Ù×ÏÄÉÔ ÅÇÏ ÐÒÉ ×ÙÈÏÄÅ ÉÚ MPlayer. üÔÁ ÏÃÅÎËÁ ÍÏÖÅÔ ÉÓÐÏÌØÚÏ×ÁÔØÓÑ
+ÄÌÑ ÕÓÔÁÎÏ×ÌÅÎÉÑ ÕÒÏ×ÎÑ ÇÒÏÍËÏÓÔÉ × MEncoder, ÔÁË, ÞÔÏÂÙ ÉÓÐÏÌØÚÏ×ÁÌÓÑ
+ÍÁËÓÉÍÁÌØÎÏ ×ÏÚÍÏÖÎÙÊ ÄÉÎÁÍÉÞÅÓËÉÊ ÄÉÁÐÁÚÏÎ.
+.br
+.I úáíåþáîéå:
+üÔÏÔ ÆÉÌØÔÒ ÎÅ ÍÏÖÅÔ ÉÓÐÏÌØÚÏ×ÁÔØÓÑ ÐÏ×ÔÏÒÎÏ É, ÐÏÜÔÏÍÕ, ÍÏÖÅÔ ÂÙÔØ ÚÁÄÅÊÓÔ×Ï×ÁÎ
+ÔÏÌØËÏ ÅÄÉÎÏÖÄÙ ÄÌÑ ËÁÖÄÏÇÏ ÁÕÄÉÏ ÐÏÔÏËÁ.
.PD 0
.RSs
.IPs "<v>\ \ "
-Sets the desired gain in dB for all channels in the stream
-from -200dB to +60dB, where -200dB mutes the sound
-completely and +60dB equals a gain of 1000 (default: 0).
+õÓÔÁÎÁ×ÌÉ×ÁÅÔ ÖÅÌÁÅÍÏÅ ÕÓÉÌÅÎÉÅ × Äâ ÏÔ -200Äâ ÄÏ +60Äø ÄÌÑ ×ÓÅÈ ËÁÎÁÌÏ× ×
+ÐÏÔÏËÅ, ÇÄÅ -200dB ÐÏÌÎÏÓÔØÀ ÏÔËÌÀÞÁÅÔ Ú×ÕË, Á +60dB ÜË×É×ÁÌÅÎÔÎÏ ÕÓÉÌÅÎÉÀ ×
+1000 ÒÁÚ (ÐÏ-ÕÍÏÌÞÁÎÉÀ: 0).
.IPs "<sc>\ "
-Turns soft clipping on (1) or off (0).
-Soft-clipping can make the sound more smooth if very
-high volume levels are used.
-Enable this option if the dynamic range of the
-loudspeakers is very low.
+÷ËÌÀÞÁÅÔ (1) ÉÌÉ ×ÙËÌÀÞÁÅÔ (0) ÐÒÏÇÒÁÍÍÎÏÅ ÕÓÅÞÅÎÉÅ.
+ðÒÏÇÒÁÍÍÎÏÅ ÕÓÅÞÅÎÉÅ ÍÏÖÅÔ ÓÄÅÌÁÔØ Ú×ÕË ÂÏÌÅÅ ÒÏ×ÎÙÍ, ÅÓÌÉ ÉÓÐÏÌØÚÕÀÔÓÑ
+ÏÞÅÎØ ÂÏÌØÛÉÅ ÕÒÏ×ÎÉ ÇÒÏÍËÏÓÔÉ. éÓÐÏÌØÚÕÊÔÅ ÜÔÕ ÏÐÃÉÀ, ÅÓÌÉ ÄÉÎÁÍÉÞÅÓËÉÊ
+ÄÉÁÐÁÚÏÎ ÇÒÏÍËÏÇÏ×ÏÒÉÔÅÌÅÊ ÏÞÅÎØ ÍÁÌ.
.br
-.I WARNING:
-This feature creates distortion and should be considered a last resort.
+.I ÷îéíáîéå:
+üÔÁ ×ÏÚÍÏÖÎÏÓÔØ ÓÏÚÄÁÅÔ ÉÓËÁÖÅÎÉÑ É ÄÏÌÖÎÁ ÉÓÐÏÌØÚÏ×ÁÔØÓÑ ÔÏÌØËÏ × ËÒÁÊÎÉÈ ÓÌÕÞÁÑÈ.
.RE
.sp 1
.RS
-.I EXAMPLE:
+.I ðòéíåò:
.RE
.RSs
.IPs "mplayer \-af volume=10.1:0 media.avi"
-Would amplify the sound by 10.1dB and hard-clip if the
-sound level is too high.
+õÓÉÌÉÔ Ú×ÕË ÎÁ 10.1Äâ É ÁÐÐÁÒÁÔÎÏ ÕÓÅÞÅÔ ÓÌÉÛËÏÍ ÇÒÏÍËÉÊ Ú×ÕË.
.RE
.PD 1
.
.TP
.B pan=n[:L00:L01:L02:...L10:L11:L12:...Ln0:Ln1:Ln2:...]
-Mixes channels arbitrarily.
-Basically a combination of the volume and the channels filter
-that can be used to down-mix many channels to only a few,
-e.g.\& stereo to mono or vary the "width" of the center
-speaker in a surround sound system.
-This filter is hard to use, and will require some tinkering
-before the desired result is obtained.
-The number of options for this filter depends on
-the number of output channels.
-An example how to downmix a six-channel file to two channels with
-this filter can be found in the examples section near the end.
+ðÒÏÉÚ×ÏÌØÎÏ ÍÉËÛÉÒÕÅÔ ËÁÎÁÌÙ.
+÷ ÏÂÝÅÍ \- ÜÔÏ ËÏÍÂÉÎÁÃÉÑ ÆÉÌØÔÒÏ× volume É channels, ËÏÔÏÒÁÑ
+ÍÏÖÅÔ ÉÓÐÏÌØÚÏ×ÁÔØÓÑ ÄÌÑ Ó×ÅÄÅÎÉÑ ÍÎÏÖÅÓÔ×Á ËÁÎÁÌÏ× × ÍÅÎØÛÅÅ ËÏÌÉÞÅÓÔ×Ï,
+ÎÁÐÒÉÍÅÒ, ÓÔÅÒÅÏ × ÍÏÎÏ ÉÌÉ ÉÚÍÅÎÅÎÉÑ "ÛÉÒÉÎÙ" ÃÅÎÔÒÁÌØÎÏÊ ËÏÌÏÎËÉ
+× ÓÉÓÔÅÍÅ ÏËÒÕÖÁÀÝÅÇÏ Ú×ÕËÁ.
+üÔÏÔ ÆÉÌØÔÒ ÔÒÕÄÅÎ ÄÌÑ ÉÓÐÏÌØÚÏ×ÁÎÉÑ É ÐÏÔÒÅÂÕÅÔÓÑ ÎÅËÓÏÌØËÏ ÐÏÐÙÔÏË ÄÌÑ
+ÐÏÌÕÞÅÎÉÑ ÖÅÌÁÅÍÏÇÏ ÒÅÚÕÌØÔÁÔÁ.
+ëÏÌÉÞÅÓÔ×Ï ÏÐÃÉÊ ÄÌÑ ÜÔÏÇÏ ÆÉÌØÔÒÁ ÚÁ×ÉÓÉÔ ÏÔ ËÏÌÉÞÅÓÔ×Á ×ÙÈÏÄÎÙÈ ËÁÎÁÌÏ×.
+ðÒÉÍÅÒ Ó×ÅÄÅÎÉÑ ÛÅÓÔÉËÁÎÁÌØÎÏÇÏ ÆÁÊÌÁ × Ä×Á ËÁÎÁÌÁ Ó ÐÏÍÏÛØÀ ÜÔÏÇÏ
+ÆÉÌØÔÒÁ ÍÏÖÎÏ ÎÁÊÔÉ × ÒÁÚÄÅÌÅ ÐÒÉÍÅÒÏ× ÄÁÌÅÅ.
.PD 0
.RSs
.IPs "<n>\ \ "
-number of output channels (1\-6)
+ëÏÌÉÞÅÓÔ×Ï ËÁÎÁÌÏ× ÎÁ ×ÙÈÏÄÅ (1\-6)
.IPs <Lij>
-How much of input channel i is mixed into output channel j (0\-1).
-So in principle you first have n numbers saying what to do with the
-first input channel, then n numbers that act on the second input channel
-etc.
-If you do not specify any numbers for some input channels, 0 is assumed.
+ëÁË ÍÎÏÇÏ ÉÓÈÏÄÎÏÇÏ ÓÉÇÎÁÌÁ i ÍÉËÛÉÒÕÅÔÓÑ × ×ÙÈÏÄÎÏÊ ÓÉÇÎÁÌ j (0\-1).
+ô.Å.\& ÓÎÁÞÁÌÁ ÕËÁÚÙ×ÁÅÔÓÑ n ÞÉÓÅÌ, ÇÏ×ÏÒÑÝÉÈ ÞÔÏ ÄÅÌÁÔØ Ó
+ÐÅÒ×ÙÍ ×ÈÏÄÎÙÍ ËÁÎÁÌÏÍ, ÚÁÔÅÍ n ÞÉÓÅÌ, ÄÅÊÓÔ×ÕÀÝÉÈ ÎÁ ×ÔÏÒÏÊ ËÁÎÁÌ É ÔÁË ÄÁÌÅÅ.
+åÓÌÉ ÄÌÑ ÎÅËÏÔÏÒÙÈ ×ÈÏÄÎÙÈ ËÁÎÁÌÏ× ×Ù ÎÅ ÕËÁÚÙ×ÁÅÔÅ ÎÉËÁËÏÇÏ ÞÉÓÌÁ,
+ÔÏ ÐÒÅÄÐÏÌÁÇÁÅÔÓÑ ÚÎÁÞÅÎÉÅ 0.
.RE
.sp 1
.RS
-.I EXAMPLE:
+.I ðòéíåò:
.RE
.RSs
.IPs "mplayer \-af pan=1:0.5:0.5 media.avi"
-Would down-mix from stereo to mono.
+ó×ÅÄÅÔ Ú×ÕË ÉÚ ÓÔÅÒÅÏ × ÍÏÎÏ.
.IPs "mplayer \-af pan=3:1:0:0.5:0:1:0.5 media.avi"
-Would give 3 channel output leaving channels 0 and 1 intact,
-and mix channels 0 and 1 into output channel 2 (which could
-be sent to a subwoofer for example).
+äÁÓÔ 3 ËÁÎÁÌÁ ÎÁ ×ÙÈÏÄÅ, ÏÓÔÁ×ÌÑÑ ËÁÎÁÌÙ 0 É 1 ÎÅÉÚÍÅÎÎÙÍÉ
+É ÍÉËÛÉÒÕÑ ËÁÎÁÌÙ 0 É 1 × ×ÙÈÏÄÎÏÊ ËÁÎÁÌ 2 (ËÏÔÏÒÙÊ ÍÏÖÅÔ ÂÙÔØ ÏÔÐÒÁ×ÌÅÎ
+ÎÁ ÓÁÂ×ÕÆÅÒ, ÎÁÐÒÉÍÅÒ).
.RE
.PD 1
.
.TP
.B sub[=fc:ch]
-Adds a subwoofer channel to the audio stream.
-The audio data used for creating the subwoofer channel is
-an average of the sound in channel 0 and channel 1.
-The resulting sound is then low-pass filtered by a 4th order
-Butterworth filter with a default cutoff frequency of 60Hz
-and added to a separate channel in the audio stream.
-.br
-.I Warning:
-Disable this filter when you are playing DVDs with Dolby
-Digital 5.1 sound, otherwise this filter will disrupt
-the sound to the subwoofer.
+äÏÂÁ×ÌÑÅÔ ËÁÎÁÌ ÓÁÂ×ÕÆÅÒÁ Ë ÁÕÄÉÏ ÐÏÔÏËÕ.
+áÕÄÉÏÄÁÎÎÙÅ, ÉÓÐÏÌØÚÕÅÍÙÅ ÄÌÑ ÓÏÚÄÁÎÉÑ ËÁÎÁÌÁ ÓÁÂ×ÕÆÅÒÁ,
+Ñ×ÌÑÀÔÓÑ ÓÒÅÄÎÉÍ ÚÎÁÞÅÎÉÅÍ Ú×ÕËÁ × ËÁÎÁÌÁÈ 0 É 1.
+÷ÙÓÏËÉÅ ÞÁÓÔÏÔÙ ÐÏÌÕÞÉ×ÛÅÇÏÓÑ Ú×ÕËÁ ÚÁÔÅÍ ÏÔÂÒÁÓÙ×ÁÀÔÓÑ
+ÐÒÏÐÕÓËÁÎÉÅÍ ÞÅÒÅÚ Butterworth ÆÉÌØÔÒ ÞÅÔ×ÅÒÔÏÇÏ ÐÏÒÑÄËÁ
+ÓÏ ÚÎÁÞÅÎÉÅÍ ÐÒÅÄÅÌØÎÏÊ ÞÁÓÔÏÔÙ ÐÏ-ÕÍÏÌÞÁÎÉÀ 60çÃ, É
+ÒÅÚÕÌØÔÁÔ ÄÏÂÁ×ÌÑÅÔÓÑ ÏÔÄÅÌØÎÙÍ ËÁÎÁÌÏÍ Ë ÁÕÄÉÏ ÐÏÔÏËÕ.
+.br
+.I ÷ÎÉÍÁÎÉÅ:
+ïÔËÌÀÞÁÊÔÅ ÜÔÏÔ ÆÉÌØÔÒ ÐÒÉ ×ÏÓÐÒÏÉÚ×ÅÄÅÎÉÉ DVD c Dolby
+Digital 5.1 Ú×ÕËÏÍ, ÉÎÁÞÅ ÜÔÏÔ ÆÉÌØÔÒ ÉÓÐÏÒÔÉÔ Ú×ÕË
+ÎÁ ÓÕÂ×ÕÆÅÒÅ.
.PD 0
.RSs
.IPs "<fc>\ "
-cutoff frequency in Hz for the low-pass filter (20Hz to 300Hz) (default: 60Hz)
-For the best result try setting the cutoff frequency as low as possible.
-This will improve the stereo or surround sound experience.
+ÐÒÅÄÅÌØÎÁÑ ÞÁÓÔÏÔÁ × çà ÄÌÑ ÎÉÚËÏÞÁÓÔÏÔÎÏÇÏ ÆÉÌØÔÒÁ (ÏÔ 20çà ÄÏ 300çÃ) (ÐÏ-ÕÍÏÌÞÁÎÉÀ: 60çÃ)
+äÌÑ ÐÏÌÕÞÅÎÉÑ ÌÕÞÛÅÇÏ ÒÅÚÕÌØÔÁÔÁ, ÐÒÏÂÕÊÔÅ ÕÓÔÁÎÏ×ÉÔØ ÞÁÓÔÏÔÕ
+ÎÁÓÔÏÌØËÏ ÎÉÚËÏÊ, ÎÁÓËÏÌØËÏ ÜÔÏ ×ÏÚÍÏÖÎÏ.
+üÔÏ ÕÌÕÞÛÉÔ ×ÏÓÐÒÉÑÔÉÅ ÓÔÅÒÅÏ ÉÌÉ ÏËÒÕÖÁÀÝÅÇÏ Ú×ÕËÁ.
.IPs "<ch>\ "
-Determines the channel number in which to insert the sub-channel audio.
-Channel number can be between 0 and 5 (default: 5).
-Observe that the number of channels will automatically
-be increased to <ch> if necessary.
+ïÐÒÅÄÅÌÑÅÔ ÎÏÍÅÒ ËÁÎÁÌÁ, × ËÏÔÏÒÙÊ ÄÏÂÁ×ÌÑÅÔÓÑ ÁÕÄÉÏ ÄÌÑ ÓÁÂ×ÕÆÅÒÁ.
+ÎÏÍÅÒ ËÁÎÁÌÁ ÍÏÖÅÔ ÂÙÔØ ÏÔ 0 ÄÏ 5 (ÐÏ-ÕÍÏÌÞÁÎÉÀ: 5).
+úÁÍÅÔØÔÅ, ÞÔÏ ÐÒÉ ÎÅÏÂÈÏÄÉÍÏÓÔÉ ËÏÌÉÞÅÓÔ×Ï ËÁÎÁÌÏ× ÂÕÄÅÔ Á×ÔÏÍÁÔÉÞÅÓËÉ
+Õ×ÅÌÉÞÉÎÏ ÄÏ <ch>.
.RE
.sp 1
.RS
-.I EXAMPLE:
+.I ðòéíåò:
.RE
.RSs
.IPs "mplayer \-af sub=100:4 \-channels 5 media.avi"
-Would add a sub-woofer channel with a cutoff frequency of
-100Hz to output channel 4.
+äÏÂÁ×ÉÔ ËÁÎÁÌ ÓÁÂ×ÕÆÅÒÁ Ó ÐÒÅÄÅÌØÎÏÊ ÞÁÓÔÏÔÏÊ 100çà ×
+4 ËÁÎÁÌ ÎÁ ×ÙÈÏÄÅ.
.RE
.PD 1
.
.TP
.B "center\ "
-Creates a center channel from the front channels.
-May currently be low quality as it does not implement a
-high-pass filter for proper extraction yet, but averages and
-halves the channels instead.
+óÏÚÄÁÅÔ ÃÅÎÔÒÁÌØÎÙÊ ËÁÎÁÌ ÉÚ ÐÅÒÅÄÎÉÈ ËÁÎÁÌÏ×.
+÷ ÄÁÎÎÙÊ ÍÏÍÅÎÔ ÍÏÖÅÔ ÂÙÔØ ÎÉÚËÏËÁÞÅÓÔ×ÅÎÎÙÍ, ÐÏÓËÏÌØËÕ ÐÏËÁ ÎÅ
+ÒÅÁÌÉÚÕÅÔ ×ÙÓÏËÏÞÁÓÔÏÔÎÙÊ ÆÉÌØÔÒ ÄÌÑ ÐÒÁ×ÉÌØÎÏÇÏ ÉÚ×ÌÅÞÅÎÉÑ, Á
+×ÍÅÓÔÏ ÜÔÏÇÏ ÂÅÒÅÔ ÐÏÌÏ×ÉÎÕ ÕÓÒÅÄÎÅÎÎÏÇÏ ÚÎÁÞÅÎÉÑ ËÁÎÁÌÏ×.
.PD 0
.RSs
.IPs "<ch>\ "
-Determines the channel number in which to insert the center channel.
-Channel number can be between 0 and 5 (default: 5).
-Observe that the number of channels will automatically
-be increased to <ch> if necessary.
+ïÐÒÅÄÅÌÑÅÔ ÎÏÍÅÒ ËÁÎÁÌÁ, × ËÏÔÏÒÙÊ ×ÓÔÁ×ÌÑÅÔÓÑ ÃÅÎÔÒÁÌØÎÙÊ.
+îÏÍÅÒ ËÁÎÁÌÁ ÄÏÌÖÅÎ ÂÙÔØ ÏÔ 0 ÄÏ 5 (ÐÏ-ÕÍÏÌÞÁÎÉÀ: 5).
+úÁÍÅÔØÔÅ, ÞÔÏ ÐÒÉ ÎÅÏÂÈÏÄÉÍÏÓÔÉ ËÏÌÉÞÅÓÔ×Ï ËÁÎÁÌÏ× ÂÕÄÅÔ Á×ÔÏÍÁÔÉÞÅÓËÉ
+Õ×ÅÌÉÞÉÎÏ ÄÏ <ch>.
.RE
.PD 1
.
.TP
-.B surround[=delay]
-Decoder for matrix encoded surround sound like Dolby Surround.
-Many files with 2 channel audio actually contain matrixed surround sound.
-Requires a sound card supporting at least 4 channels.
+.B surround[=ÚÁÄÅÒÖËÁ]
+.\" FIXME metrix encoded = ÍÁÔÒÉÞÎÏ ËÏÄÉÒÏ×ÁÎÎÏÇÏ
+äÅËÏÄÅÒ ÄÌÑ ÍÁÔÒÉÞÎÏ ËÏÄÉÒÏ×ÁÎÎÏÇÏ ÏËÒÕÖÁÀÝÅÇÏ Ú×ÕËÁ, ÔÁËÏÇÏ ËÁË Dolby Surround.
+.\" FIXME matrixed = ËÏÄÉÒÏ×ÁÎÎÙÊ ÍÁÔÒÉÃÅÊ
+íÎÏÖÅÓÔ×Ï ÆÁÊÌÏ× Ó 2 ËÁÎÁÌØÎÙÍ Ú×ÕËÏÍ ÎÁ ÓÁÍÏÍ ÄÅÌÅ ÓÏÄÅÒÖÁÔ ËÏÄÉÒÏ×ÁÎÎÙÊ ÍÁÔÒÉÃÅÊ
+ÏËÒÕÖÁÀÝÉÊ Ú×ÕË.
+ôÒÅÂÕÅÔ Ú×ÕËÏ×ÕÀ ËÁÒÔÕ, ÐÏÄÄÅÒÖÉ×ÁÀÝÕÑ ËÁË ÍÉÎÉÍÕÍ 4 ËÁÎÁÌÁ.
.PD 0
.RSs
-.IPs <delay>
-delay time in ms for the rear speakers (0 to 1000) (default: 20)
-This delay should be set as follows: If d1 is the distance
-from the listening position to the front speakers and d2 is the distance
-from the listening position to the rear speakers, then the delay should
-be set to 15ms if d1 <= d2 and to 15 + 5*(d1-d2) if d1 > d2.
+.IPs <ÚÁÄÅÒÖËÁ>
+×ÒÅÍÑ ÚÁÄÅÒÖËÉ × ÍÓ ÄÌÑ ÚÁÄÎÉÈ ËÏÌÏÎÏË (ÏÔ 0 ÄÏ 1000) (ÐÏ-ÕÍÏÌÞÁÎÉÀ: 20)
+úÁÄÅÒÖËÁ ÕÓÔÁÎÁ×ÌÉ×ÁÅÔÓÑ ÓÌÅÄÕÀÝÉÍ ÏÂÒÁÚÏÍ: åÓÌÉ d1 \- ÒÁÓÓÔÏÑÎÉÅ ÏÔ
+ÓÌÕÛÁÔÅÌÑ ÄÏ ÐÅÒÅÄÎÉÈ ËÏÌÏÎÏË É d2 \- ÒÁÓÓÔÏÑÎÉÅ ÏÔ ÓÌÕÛÁÔÅÌÑ ÄÏ
+ÚÁÄÎÉÈ ËÏÌÏÎÏË, ÔÏ ÚÁÄÅÒÖËÕ ÓÌÅÄÕÅÔ ÕÓÔÁÎÁ×ÌÉ×ÁÔØ × 15ÍÓ, ÅÓÌÉ d1 <= d2 É
+× 15+5*(d2-d1), ÅÓÌÉ d1 > d2.
.RE
.sp 1
.RS
-.I EXAMPLE:
+.I ðòéíåò:
.RE
.RSs
.IPs "mplayer \-af surround=15 \-channels 4 media.avi"
-Would add surround sound decoding with 15ms delay for the sound to the
-rear speakers.
+äÏÂÁ×ÉÔ ÄÅËÏÄÉÒÏ×ÁÎÉÅ ÏËÒÕÖÁÀÝÅÇÏ Ú×ÕËÁ Ó 15ÍÓ ÚÁÄÅÒÖËÏÊ ÄÌÑ ÚÁÄÎÉÈ ËÏÌÏÎÏË.
.RE
.PD 1
.
.TP
.B delay[=ch1:ch2:...]
-Delays the sound to the loudspeakers such that the sound from the
-different channels arrives at the listening position simultaneously.
-It is only useful if you have more than 2 loudspeakers.
+úÁÄÅÒÖÉ×ÁÅÔ Ú×ÕË ÄÌÑ ÇÒÏÍËÏÇÏ×ÏÒÉÔÅÌÅÊ ÔÁË, ÞÔÏÂÙ Ú×ÕË ÒÁÚÎÙÈ ËÁÎÁÌÏ×
+ÄÏÓÔÉÇÁÌ ÓÌÕÛÁÔÅÌÑ ÏÄÎÏ×ÒÅÍÅÎÎÏ. ðÏÌÅÚÅÎ ÔÏÌØËÏ ÅÓÌÉ Õ ×ÁÓ
+ÂÏÌÅÅ 2 ÇÒÏÍËÏÇÏ×ÏÒÉÔÅÌÅÊ.
.PD 0
.RSs
.IPs ch1,ch2,...
-The delay in ms that should be imposed on each channel
-(floating point number between 0 and 1000).
+úÁÄÅÒÖËÁ × ÍÓ, ËÏÔÏÒÁÑ ÄÏÌÖÎÁ ×ÎÏÓÉÔØÓÑ × ËÁÖÄÙÊ ËÁÎÁÌ
+(×ÅÝÅÓÔ×ÅÎÎÏÅ ÞÉÓÌÏ ÏÔ 0 ÄÏ 1000).
.RE
.PD 1
.sp 1
.RS
-To calculate the required delay for the different channels do as follows:
+äÌÑ ×ÙÞÉÓÌÅÎÉÑ ÔÒÅÂÕÅÍÏÊ ÚÁÄÅÒÖËÉ ÄÌÑ ÒÁÚÎÙÈ ËÁÎÁÌÏ× ÐÒÏÄÅÌÁÊÔÅ ÓÌÅÄÕÀÝÅÅ:
.IP 1. 3
-Measure the distance to the loudspeakers in meters in relation
-to your listening position, giving you the distances s1 to s5
-(for a 5.1 system).
-There is no point in compensating for the subwoofer (you will not hear the
-difference anyway).
+éÚÍÅÒØÔÅ × ÍÅÔÒÁÈ ÒÁÓÓÔÏÑÉÅ ÄÏ ÇÒÏÍËÏÇÏ×ÏÒÉÔÅÌÅÊ ÏÔ ÐÏÚÉÃÉÉ ÓÌÕÛÁÔÅÌÑ,
+ÐÏÌÕÞÉÔÅ ÚÎÁÞÅÎÉÑ s1 \- s5 ÒÁÓÓÔÏÑÎÉÊ (ÄÌÑ 5.1. ÓÉÓÔÅÍÙ).
+ËÏÍÐÅÎÓÉÒÏ×ÁÔØ ËÁÎÁÌ ÓÁÂ×ÕÆÅÒÁ ÎÅÔ ÓÍÙÓÌÁ
+(×ÓÅ ÒÁ×ÎÏ ×Ù ÎÅ ÕÓÌÉÛÉÔÅ ÒÁÚÎÉÃÕ).
.IP 2. 3
-Subtract the distances s1 to s5 from the maximum distance,
-i.e.\& s[i] = max(s) - s[i]; i = 1...5.
+÷ÙÞÔÉÔÅ ÒÁÓÓÔÏÑÎÉÑ s1 \- s5 ÉÚ ÍÁËÓÉÍÁÌØÎÏÇÏ ÚÎÁÞÅÎÉÑ,
+Ô.Å.\& s[i] = max(s) - s[i]; i = 1...5.
.IP 3.
-Calculate the required delays in ms as d[i] = 1000*s[i]/342; i = 1...5.
+÷ÙÞÉÓÌÉÔÅ ÔÒÅÂÕÅÍÙÅ ÚÁÄÅÒÖËÉ × ÍÓ ÐÏ ÆÏÒÍÕÌÅ d[i] = 1000*s[i]/342; i = 1...5.
.RE
.PD 0
.sp 1
.RS
-.I EXAMPLE:
+.I ðòéíåò:
.RE
.RSs
.IPs "mplayer \-af delay=10.5:10.5:0:0:7:0 media.avi"
-Would delay front left and right by 10.5ms, the two rear channels
-and the sub by 0ms and the center channel by 7ms.
+âÕÄÅÔ ÚÁÄÅÒÖÉ×ÁÔØ ÐÅÒÅÄÎÉÅ ÌÅ×ÙÊ É ÐÒÁ×ÙÊ ËÁÎÁÌÙ ÎÁ 10.5ÍÓ, Ä×Á
+ÚÁÄÎÉÈ ËÁÎÁÌÁ É ÓÁÂ×ÕÆÅÒ ÎÁ 0ÍÓ É ÃÅÎÔÒÁÌØÎÙÊ ËÁÎÁÌ ÎÁ 7ÍÓ.
.RE
.PD 1
.
.TP
.B export[=mmapped_file[:nsamples]]
-Exports the incoming signal to other processes using memory mapping (mmap()).
-Memory mapped areas contain a header:
+üËÓÐÏÒÔÉÒÕÅÔ ×ÈÏÄÑÝÉÊ ÓÉÇÎÁÌ ÄÒÕÇÉÍ ÐÒÏÃÅÓÓÁÍ, ÉÓÐÏÌØÚÕÑ ÏÔÏÂÒÁÖÅÎÉÅ ÐÁÍÑÔÉ (mmap()).
+ïÂÌÁÓÔÉ × ÏÔÏÂÒÁÖÁÅÍÏÊ ÐÁÍÑÔÉ ÓÏÄÅÒÖÁÔ ÚÁÇÏÌÏ×ÏË:
.sp 1
.nf
-int nch /*number of channels*/
-int size /*buffer size*/
-unsigned long long counter /*Used to keep sync, updated every
- time new data is exported.*/
+int nch /*ËÏÌÉÞÅÓÔ×Ï ËÁÎÁÌÏ×*/
+int size /*ÒÁÚÍÅÒ ÂÕÆÅÒÁ*/
+unsigned long long counter /*éÓÐÏÌØÚÕÅÔÓÑ ÄÌÑ ÓÏÈÒÁÎÅÎÉÑ ÓÉÎÈÒÏÎÉÚÁÃÉÉÉ, ÏÂÎÏ×ÌÑÅÔÓÑ
+ ËÁÖÄÙÊ ÒÁÚ ÐÒÉ ÜËÓÐÏÒÔÉÒÏ×ÁÎÉÉ ÄÁÎÎÙÈ.*/
.fi
.sp 1
-The rest is payload (non-interleaved) 16 bit data.
+ïÓÔÁÌØÎÏÅ \- ÐÏÌÅÚÎÙÅ (ÎÅÞÅÒÅÄÕÀÝÉÅÓÑ) 16 ÂÉÔÎÙÅ ÄÁÎÎÙÅ.
.PD 0
.RSs
.IPs <mmapped_file>
-file to map data to (default: ~/.mplayer/\:mplayer-af_export)
+æÁÊÌ, × ËÏÔÏÒÙÊ ÏÔÏÂÒÁÖÁÀÔÓÑ ÄÁÎÎÙÅ (ÐÏ-ÕÍÏÌÞÁÎÉÀ: ~/.mplayer/\:mplayer-af_export)
.IPs <nsamples>
-number of samples per channel (default: 512)
+ËÏÌÉÞÅÓÔ×Ï ÓÜÍÐÌÏ× ÎÁ ËÁÎÁÌ (ÐÏ-ÕÍÏÌÞÁÎÉÀ: 512)
.RE
.sp 1
.RS
-.I EXAMPLE:
+.I ðòéíåò:
.RE
.RSs
.IPs "mplayer \-af export=/tmp/mplayer-af_export:1024 media.avi"
-Would export 1024 samples per channel to '/tmp/mplayer-af_export'.
+âÕÄÅÔ ÜËÓÐÏÒÔÉÒÏ×ÁÔØ 1024 ÓÜÍÐÌÁ ÎÁ ËÁÎÁÌ × '/tmp/mplayer-af_export'.
.RE
.PD 1
.
.TP
.B extrastereo[=mul]
-(Linearly) increases the difference between left and right channels
-which adds some sort of "live" effect to playback.
+(ìÉÎÅÊÎÏ) Õ×ÅÌÉÞÉ×ÁÅÔ ÒÁÚÌÉÞÉÑ ÍÅÖÄÕ ÌÅ×ÙÍ É ÐÒÁ×ÙÍ ËÁÎÁÌÁÍÉ, ÞÔÏ
+ÄÏÂÁ×ÌÑÅÔ ÎÅËÏÔÏÒÙÊ "ÖÉ×ÏÊ" ÜÆÆÅËÔ ×ÏÓÐÒÏÉÚ×ÅÄÅÎÉÀ.
.PD 0
.RSs
.IPs <mul>
-Sets the difference coefficient (default: 2.5).
-0.0 means mono sound (average of both channels), with 1.0 sound will be
-unchanged, with -1.0 left and right channels will be swapped.
+õÓÔÁÎÁ×ÌÉ×ÁÅÔ ËÏÜÆÆÉÃÉÅÔ ÒÁÚÌÉÞÉÑ (ÐÏ-ÕÍÏÌÞÁÎÉÀ: 2.5).
+0.0 ÏÚÎÁÞÁÅÔ ÍÏÎÏ Ú×ÕË (ÓÒÅÄÎÅÅ ÏÂÏÉÈ ËÁÎÁÌÏ×), Ó 1.0 Ú×ÕË ÎÅ
+ÉÚÍÅÎÉÔÓÑ, Ó -1.0 ÌÅ×ÙÊ É ÐÒÁ×ÙÊ ËÁÎÁÌÙ ÐÏÍÅÎÑÀÔÓÑ ÍÅÓÔÁÍÉ.
.RE
.PD 1
.
.TP
-.B volnorm[=method:target]
-Maximizes the volume without distorting the sound.
+.B volnorm[=ÍÅÔÏÄ:ÃÅÌØ]
+íÁËÓÉÍÉÚÉÒÕÅÔ ÇÒÏÍËÏÓÔØ ÂÅÚ ÉÓËÁÖÅÎÉÑ Ú×ÕËÁ.
.PD 0
.RSs
-.IPs <method>
-Sets the used method.
+.IPs <ÍÅÔÏÄ>
+õÓÔÁÎÁ×ÌÉ×ÁÅÔ ÉÓÐÏÌØÚÕÅÍÙÊ ÍÅÔÏÄ.
.RSss
-1: Use a single sample to smooth the variations via the standard
-weighted mean over past samples (default).
+1: éÓÐÏÌØÕÅÔÓÑ ÅÄÉÎÓÔ×ÅÎÎÙÊ ÓÜÍÐÌ ÄÌÑ ÓÇÌÁÖÉ×ÁÎÉÑ ÏÔËÌÏÎÅÎÉÊ ÐÏÓÒÅÄÓÔ×ÏÍ
+ÓÔÁÎÄÁÒÔÎÏÇÏ ÓÒÅÄÎÅ×Ú×ÅÛÅÎÎÏÇÏ ÚÎÁÞÅÎÉÑ ÐÒÅÄÙÄÕÝÉÈ ÓÅÍÐÌÏ× (ÐÏ-ÕÍÏÌÞÁÎÉÀ).
.br
-2: Use several samples to smooth the variations via the standard
-weighted mean over past samples.
+2: éÓÐÏÌØÕÅÔÓÑ ÎÅÓËÏÌØËÏ ÓÜÍÐÌÏ× ÄÌÑ ÓÇÌÁÖÉ×ÁÎÉÑ ÏÔËÌÏÎÅÎÉÊ ÐÏÓÒÅÄÓÔ×ÏÍ
+ÓÔÁÎÄÁÒÔÎÏÏÇÏ ÓÒÅÄÎÅ×Ú×ÅÛÅÎÎÏÇÏ ÚÎÁÞÅÎÉÑ ÐÒÅÄÙÄÕÝÉÈ ÓÅÍÐÌÏ×.
.REss
-.IPs <target>
-Sets the target amplitude as a fraction of the maximum for the
-sample type (default: 0.25).
+.IPs <ÃÅÌØ>
+úÁÄÁÅÔ ÃÅÌÅ×ÕÀ ÁÍÐÌÉÔÕÄÕ ËÁË ÄÏÌÀ ÏÔ ÍÁËÓÉÍÁÌØÎÏ ×ÏÚÍÏÖÎÏÇÏ ÚÎÁÞÅÎÉÑ
+ÄÌÑ ÓÜÍÐÌÁ (ÐÏ-ÕÍÏÌÞÁÎÉÀ: 0.25).
.RE
.PD 1
.
.TP
-.B ladspa=file:label[:controls...]
-Load a LADSPA (Linux Audio Developer's Simple Plugin API) plugin.
-This filter is reentrant, so multiple LADSPA plugins can be used at once.
-.PD 0
-.RSs
-.IPs <file>
-Specifies the LADSPA plugin library file.
-If LADSPA_PATH is set, it searches for the specified file.
-If it is not set, you must supply a fully specified pathname.
-.IPs <label>
-Specifies the filter within the library.
-Some libraries contain only one filter, but others contain many of them.
-Entering 'help' here, will list all available filters within the specified
-library, which eliminates the use of 'listplugins' from the LADSPA SDK.
-.IPs <controls>
-Controls are zero or more floating point values that determine the
-behavior of the loaded plugin (for example delay, threshold or gain).
-In verbose mode (add \-v to the MPlayer command line), all available controls
-and their valid ranges are printed.
-This eliminates the use of 'analyseplugin' from the LADSPA SDK.
+.B ladspa=ÆÁÊÌ:ÍÅÔËÁ[:ÐÁÒÁÍÅÔÒÙ...]
+úÁÇÒÕÖÁÅÔ LADSPA (Linux Audio Developer's Simple Plugin API) ÐÌÁÇÉÎ.
+üÔÏÔ ÆÉÌØÔÒ ÍÏÖÅÔ ÉÓÐÏÌØÚÏ×ÁÔØÓÑ ÐÏ×ÔÏÒÎÏ, ÔÁË ÞÔÏ ÏÄÎÏ×ÒÅÍÅÎÎÏ
+ÍÏÖÅÔ ÉÓÐÏÌØÚÏ×ÁÔØÓÑ ÎÅÓËÏÌØËÏ LADSPA ÐÌÁÇÉÎÏ×.
+.PD 0
+.RSs
+.IPs <ÆÁÊÌ>
+õËÁÚÙ×ÁÅÔ ÆÁÊÌ ÂÉÂÌÉÏÔÅËÉ ÐÌÁÇÉÎÏ× LADSPA.
+åÓÌÉ LADSPA_PATH ÕÓÔÁÎÏ×ÌÅÎÁ, ÕËÁÚÁÎÎÙÊ ÆÁÊÌ ÉÝÅÔÓÑ ÔÁÍ.
+åÓÌÉ ÏÎÁ ÎÅ ÕÓÔÁÎÏ×ÌÅÎÁ, ×Ù ÄÏÌÖÎÙ ÕËÁÚÁÔØ ÐÏÌÎÙÊ ÐÕÔØ Ë ÆÁÊÌÕ.
+.IPs <ÍÅÔËÁ>
+õËÁÚÙ×ÁÅÔ ÆÉÌØÔÒ × ÂÉÂÌÉÏÔÅËÅ.
+îÅËÏÔÏÒÙÅ ÂÉÂÌÉÏÔÅËÉ ÓÏÄÅÒÖÁÔ ÔÏÌØËÏ ÏÄÉÎ ÆÉÌØÔÒ, ÎÏ ÄÒÕÇÉÅ ÍÏÇÕÔ
+ÓÏÄÅÒÖÁÔØ ÍÎÏÖÅÓÔ×Ï.
+õËÁÚÁ× ÚÄÅÓØ 'help', ×Ù ÐÏÌÕÞÉÔÅ ×ÐÉÓÏË ×ÓÅÈ ÄÏÓÔÕÐÎÙÈ ÆÉÌØÔÒÏ× ×
+ÕËÁÚÁÎÎÏÊ ÂÉÂÌÉÏÔÅËÅ, ÞÔÏ ÉÓËÌÀÞÁÅÔ ÎÅÏÂÈÏÄÉÍÏÓÔØ
+ÉÓÐÏÌØÚÏ×ÁÎÉÑ 'listplugins' ÉÚ LADSPA SDK.
+.IPs <ÐÁÒÁÍÅÔÒÙ>
+ðÁÒÁÍÅÔÒÙ \- ÜÔÏ ÎÏÌØ ÉÌÉ ÂÏÌÅÅ ×ÅÝÅÓÔ×ÅÎÎÙÈ ÞÉÓÅÌ, ÏÐÒÅÄÅÌÑÀÝÉÈ
+ÐÏ×ÅÄÅÎÉÅ ÚÁÇÒÕÖÁÅÍÏÇÏ ÐÌÁÇÉÎÁ (ÎÁÐÒÉÍÅÒ, ÚÁÄÅÒÖËÁ, ÐÏÒÏÇÏ×ÏÅ ÚÎÁÞÅÎÉÅ ÉÌÉ
+ÕÓÉÌÅÎÉÅ).
+÷ ÐÏÄÒÏÂÎÏÍ ÒÅÖÉÍÅ (ÄÏÂÁ×ØÔÅ \-v × ËÏÍÁÎÄÎÕÀ ÓÔÒÏËÕ MPlayer) ×Ù×ÏÄÑÔÓÑ
+×ÓÅ ÄÏÓÔÕÐÎÙÅ ÐÁÒÁÍÅÔÒÙ É ÄÉÁÐÁÚÏÎÙ ÉÈ ÄÏÐÕÓÔÉÍÙÈ ÚÎÁÞÅÎÉÊ.
+üÔÏ ÉÓËÌÀÞÁÅÔ ÎÅÏÂÈÏÄÉÍÏÓÔØ ÉÓÐÏÌØÚÏ×ÁÎÉÑ 'analyselugin' ÉÚ LADSPA SDK.
.RE
.PD 1
.
.TP
.B "comp\ \ \ "
-Compressor/expander filter usable for microphone input.
-Prevents artifacts on very loud sound and raises the volume on
-very low sound.
-This filter is untested, maybe even unusable.
+æÉÌØÔÒ ÓÖÁÔÉÑ/ÒÁÓÛÉÒÅÎÉÑ, ÐÏÌÅÚÎÙÊ ÄÌÑ ÚÁÐÉÓÉ Ó ÍÉËÒÏÆÏÎÁ.
+ðÒÅÄÏÔ×ÒÁÝÁÅÔ ÉÓËÁÖÅÎÉÑ ÐÒÉ ÏÞÅÎØ ÇÒÏÍËÏÍ Ú×ÕËÅ É Õ×ÅÌÉÞÉ×ÁÅÔ
+ÇÒÏÍËÏÓÔØ ÐÒÉ ÏÞÅÎØ ÔÉÈÏÍ.
+æÉÌØÔÒ ÎÅ ÔÅÓÔÉÒÏ×ÁÌÓÑ, ×ÏÚÍÏÖÎÏ ÏÎ ÄÁÖÅ ÎÅ ÒÁÂÏÔÁÅÔ.
.
.TP
.B "gate\ \ \ "
-Noise gate filter similar to the comp audio filter.
-This filter is untested, maybe even unusable.
+æÉÌØÔÒ ÕÄÁÌÅÎÉÑ ÛÕÍÁ[noise gate], ÐÏÈÏÖÉÊ ÎÁ ÆÉÌØÔÒ comp.
+æÉÌØÔÒ ÎÅ ÔÅÓÔÉÒÏ×ÁÌÓÑ, ×ÏÚÍÏÖÎÏ ÏÎ ÄÁÖÅ ÎÅ ÒÁÂÏÔÁÅÔ.
.
.TP
.B karaoke
-Simple voice removal filter exploiting the fact that voice is
-usually recorded with mono gear and later 'center' mixed onto
-the final audio stream.
-Beware that this filter will turn your signal into mono.
-Works well for 2 channel tracks; do not bother trying it
-on anything but 2 channel stereo.
+ðÒÏÓÔÏÊ ÆÉÌØÔÒ ÕÄÁÌÅÎÉÑ ÇÏÌÏÓÁ, ÉÓÐÏÌØÚÕÀÝÉÊ ÔÏÔ ÆÁËÔ, ÞÔÏ
+ÇÏÌÏÓ, ËÁË ÐÒÁ×ÉÌÏ, ÚÁÐÉÓÙ×ÁÅÔÓÑ × ÍÏÎÏ, Á ÚÁÔÅÍ
+"ÃÅÎÔÒÁÌØÎÏ" ÍÉËÛÉÒÕÅÔÓÑ × ÏËÏÎÞÁÔÅÌØÎÙÊ ÁÕÄÉÏ ÐÏÔÏË.
+úÁÍÅÔØÔÅ, ÞÔÏ ÜÔÏÔ ÆÉÌØÔÒ ÐÅÒÅ×ÅÄÅÔ ×ÁÛ ÓÉÇÎÁÌ × ÍÏÎÏ.
+èÏÒÏÛÏ ÒÁÂÏÔÁÅÔ Ó 2 ËÁÎÁÌØÎÙÍÉ ÄÏÒÏÖËÁÍÉ; ÎÅ ÔÒÕÄÉÔÅÓØ
+ÐÒÏÂÏ×ÁÔØ ÅÇÏ ÎÁ ÞÅÍ-ÔÏ, ÏÔÌÉÞÎÏÍ ÏÔ 2 ËÁÎÁÌØÎÏÇÏ ÓÔÅÒÅÏ.
.
.
.
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